Tuesday, October 21, 2014

The Urban Sasquatch Journal: Showing My Intent



Links to previous installments:
Episode 1 - 'What is Urban Sasquatch?"
Episode 2 "The Original Experiments"
Episode 3: "The Urban Study Begins"
Episode 4: "Signatures and Signs"
Episode 5: "Mixing It Up"
Episode 6: "Neglected and Discouraged"

Episode 7: "Adding Complexities"
Episode 8:  "Stunning Interactions"

NOTE: Green highlighter is done on the items that were moved between visits.

The primary research areas in the urban location are these, although the research intends to branch out to some other periphery locales over time.

Area #1= the ditch, grassy right-of-way with trail entry opening and the cedar tree break.
Area #2= pipeline right-of-way / P-ROW. Using the bike/hike trail is just the way to get to the P-ROW. This area includes the east side trail entry with large limbs signature stack and the nearby 3 tree breaks location.This is 2 miles east of area #1.

August 2, 2014

This visit was very interesting. I arrived at the parking area at approximately 6 p.m.  It takes about 20 minutes to hike to area #1.  

I needed to relieve myself, so I stopped by the old fire pit inside the east tree line.  This is just under halfway to the creek. When I was done, I moved on to the south by the east tree line. 

Then, it happened. 

I was growled at by someone or something inside the west tree line. It sent an instant shiver up my spine. It was like a wave of fear hit me. I stopped in my tracks. I glanced out of the corner of my eye, rather than turn and stare the area down. I slowly held up my arms to show I had no weapon and declared in my mind and speech that I was there in peace, a friend. I then turned and looked at the west tree line and saw nothing. 

I started walking to the south and was determined not to show fear, but display peace, love, harmony in my mind. I have no way of knowing if it is true that they can read mind's intentions, but it seemed that my actions would show the intent of my mind so I would not move threateningly, at least.

I might have been remiss in noting from my last visit, but I have a toy music box which automatically plays tunes and has a child speaking. This is battery operated and has buttons for different functions. I left it on when I left at my last visit. It will play, stop for a while and play again. I thought the power would run down before this visit. When I entered the wooded area inside the tree line, I heard the music box going through the functions; a song, a child's voice, then silence, then repeat. I let it continue to play while in the area, but turned it off upon leaving the location.

Items I observed having been moved and relocated include:

1.  The 2 sweet treats had been eaten and wrappers were on the ground close by.






2.  The music box on the 12 x 12 inch wood block had been moved slightly off center.




3.  The rock circle had more rocks moved around a thin small limb was laid across and another limb outside the circle was off to the side.




I changed the tire set-up, adding one of the plastic garbage can lids found a while back. In the upside down lid, I left a small frog stuffed animal, a toy flute, a toy harmonica, a jar of peanut butter, and a small hairbrush. 




I verbally spoke and physically demonstrated each item and how to use it in the hopes that I was being observed. 

Also, during this visit, the whole time, several crows were close by disclosing loudly my presence in the area. They were in the trees and doing loud "cawing" vocals. I also cawed back at them.

I began to focus on what happened to the previously eaten sweet treats and their wrappers. I asked verbally out loud about the wrappers. "Where are the wrappers? Where did you leave them?" I then, began to walk around the site more focused. I looked to my left and saw one of the previous wrappers and next to it was a ball! 




Admittedly, I was beside myself! I picked up both and verbally called out, "thanks for the ball!"

I took this as an exchange; a ball for a sweet treat. 

I couldn't help wondering about the other wrappers. Out loud, I asked "where is the other wrapper? Where do I look?" I widened my walking and felt a need to walk in a certain direction. I can't explain the feeling other than I was compelled from within. Approximately 30 feet away was a huge dead tree. I walked over near it and looked to the rear side of it. I found the other wrapper plus the small doughnut tray. The wrapper was on the ground by the tree. The small tray was in the crook of the tree approximately 7 feet off the ground. It looked as if it had been placed there. 


(other wrapper)


(doughnut tray)

To say this was exciting is an understatement! What were the statistical probabilities? I again asked out loud if there was another ball for me. I couldn't find one. Then, I walked a little ways past the tree through branches to a small clearing. There in the middle of the clearing were deer antlers with 4 points. I had walked the same area on a recent visit and no antlers had been there. Was this another item exchange? To my instincts, yes. This made me grin with pleasure.



I moved the antlers to the rock circle. I put it in the middle and rearranged the circle.




I gathered the balls I left at the directional limb arrow. This was near the grouping of plastic garbage can lids and other plastic covers. I moved the balls to another log near the main grouping of balls.




At this point, I had been in the area for less than an hour. I heard movement from east moving through the woods. It was slow, deliberate and seemed to be bipedal. This included twigs being broken and stepped on. It was loud. A shiver ran through me again. I was determined to show no fear, so I spoke out loud again, "I'm here in peace and, if possible, could I get a glimpse of whatever, whoever may be coming through the woods?" I again picked up each item on the garbage can lid on the tires set-up and showed it and demonstrated how the items could be used.

The movement I heard earlier stopped. I now spoke out, "I will leave." 

When I leave an enter an area, I whistle a specific tune to announce my arrival and departure. This gives them the chance to leave if they wish. 

As I was leaving, to the southwest past the creek, I heard my first owl hooting. It wasn't dark yet, just after 7 p.m. in the summertime. This was the first time on all my visits to hear an owl hoot. 

I was leaving the area and approaching the bike-hike trail. On the west side of the ditch approximately 75 feet away from the trail and bridge, there was a group of limbs and junk. It all looked out of place. Actually, I had not noticed all this on previous trips in. I took the limbs and stacked them in my signature style. Next time here, I will see if it was messed with. 




I couldn't ignore after this trip, that there was an exchange going on and they were cautiously interacting. My every decision would reinforce my trustworthiness, but like all connections, it would take time and repetition. 

August 3, 2014

What a miserable day! I took the bike on the trail to stop at area #1. At the end of the trail turnaround, I crashed my bike. The bike was damaged. I had to walk over 3 miles back. I did stop at the site on the way out, but no changes were noted from yesterday. I didn't take any photos. Looks like I'll be walking for some time.

In retrospect, it's interesting how I was divested of my wheels and forced to walk....



Monday, October 20, 2014

Beautiful Cryptid Art!


("Before Departure" by Thomas Finley)


I've been unbelievably blessed to surround myself with people in the field of cryptid research that I admire and respect and to avoid those I do not.

Sometimes, you come across someone who has your own sense of awe and wonder, curiosity and child-like appreciation for the subject. Thomas Finley, a most talented artist, has done covers of books, art for cryptid conventions, and much more. In fact, I encourage him to make some lovely children's books that portray the subjects and their personalities.

I've also been very honored to be the subject in two of his paintings. 



I think this talented man realizes my honorable intentions toward the subject of cryptids.

If you get a chance, do friend him on Facebook and follow his art. I highly suspect this man is about to explode on the scene with great recognition. His works of art are glorious and otherworldly, romantic and tender.





(book cover, "Respecting the Water" by Arla Williams)




The Stories of the 13 Ghosts



"Thirteen Ghosts" was a pretty wild horror movie that a lot of folks adore for the best array of ghosts ever put together in one movie. Let's delve into the back stories of these horrifying specters.


"The Juggernaut"


"The Torn Prince" 


"The Great Child"


"The Dire Mother"


"The Withered Lover"


"The Hammer"


"The Jackal"


"The Firstborn Son"


"The Pilgrimess"


"The Bound Woman"


"The Torso"


"The Angry Princess" 


The 13th ghost was the Broken Heart - this would have been the hero of the movie, Arthur.







Sunday, October 19, 2014

Raising the Dead: Psychomanteum, Seance, Ouija




It's the season when we consider the dead. We consider the "thin veil" between the living and the dead. And many themes in horror and practices honoring the dead, make us wonder - can we talk to them?  Let's look at 3 popular techniques. 


Psychomanteum

Psychomanteum

"Theater for the dead" it is often referred to. It is a particular setup that might allow you to view and make contact with a spirit.

I highly suggest you don't do this if you are newly grieving or if the thought of a missing loved one upsets you too much. You must have a very good and fluid feel for the afterlife, so that the only thing separating you is the physical, but the souls are still very much together. Some people have religious upbringings or belief systems that make them fear seeing the dead, or talking to the dead, or opening portals for demons or whatever their belief system entails. In other words; simply don't try this tool unless you have your head in the right place, an open heart, and no fear of seeing things in a way that is new to you.

Basic configuration: Mirror on the wall with you seated below it, looking up at it but not seeing yourself reflected in it. I use my bathroom. It's the ideal set up. My bathtub with shower curtain is behind the chair and the chair is aimed at the large wall mirror but below the counter level so I don't see myself. I put a small flashlight lying down inside the tub and if the room is too easy to see, I put a cloth over the light to dim it. Ideally, the room should have enough light to see differences in dark and light, but not enough to see every detail of the room. 

Mental Prep:  To make this truly successful, you need to steep yourself in the focus of your calling all day long. You need to look through photos, have memories, evoke that connection with the departed. 

Technique:  When you are in the psychomanteum, you can play music if you wish or hold an item of departed or a photo. So far as evoking them, you can converse, you can ask them to come forward in the mirror, or you can simply sit in silence and think about them, but keep your eyes on the mirror the entire time. Mostly, be certain that your heart is reaching out, feel that connection with the loved one.

What to Expect:  It can take some time for anything to show itself or happen and when it does, more often than not, it is a dark shape in the mirror that looks like it is leaning in closer. Do not turn your head from the mirror. Continue to only watch it in the reflective surface. You may coax or concentrate, but do not fear. You must be open and receptive to him/her showing his/herself. You may not see them clearly and you may see them as a dark shape and you may get a very fast glimpse at a face. But, remember that this is an opportunity to glimpse someone whose very form has transitioned. 

Perspective:  Remember, in the scheme of things, our time away from our loved ones is a blink of an eye on the cosmic scale, but we must be willing to let them go and move on. We will have our time to see them again and never risk losing them. The connection in the spirit realm versus the physical realm is a much better meeting ground for us to connect, but each of us must play out our time in physical form. We must get the most out of this experience we can. This perhaps a greater reason why our loved ones do move on when they go to the "other side" because we need to finish this business and not be pulled into their realm and the past.

I advise people that if you have trouble letting loved ones move on, this is not a good tool for you. You must have a healthy understanding of the wonder of our world and how we can exist in other realms and retain our memories and lessons learned from those who loved us and moved on.

For a good book about these interactions and Psychomanteums, I suggest the Raymond Moody Jr and Paul Perry book "Reunions: Visionary Encounters With Departed Loved Ones."  

For my session, I decided to try to contact a very dear friend who passed away a few years ago and made a vow before he passed that he would be available to communicate in any manner, EVP, seance, Ouija.



  

This was pretty interesting. I had asked John to give me a spiritual symbol. I expected from him I'd get an ankh (his favorite symbol), but he gave me my own personal spiritual symbol, a triskele!






I figured in this dark room, maybe I could ask for light, so I asked him to show me the light of his soul. This is the only time the entire evening this light showed up. I didn't not know this was picked up by the camera, but when I asked the question, I felt his presence to my right. I saw only the faintest of shadows, but I felt him quite distinctly. 

Energy: When I feel someone's presence, it is sort of like when you are in a store and someone is standing behind you. You feel them blocking light and have a sense of weight and mass. Even though a spirit form does not have weight and mass as we know it, it has an energy field, just like the aura of energy that comes off your actively electrical/chemical body. 

Take your hands and put them palm facing palm in front of you. Don't touch them together, but get them close, bounce them a fraction of an inch toward each other and away to feel the "sponginess" of your own energy field. You do feel something between your hands, don't you? This is the feeling of being near a soul.  Hence, the hairs standing on end, tingling, heaviness, and other associated descriptions in haunted locations. 

My thoughts on Psychomanteum:  What do I think of the process of using a psychomanteum? If used properly, it can be therapeutic or enlightening. If you expect to call on and summon loved ones all the time, it's not a phone booth. It is a moment of sacred allowance to prepare your mind to be in tuned to receive that which you do not perceive other ways. This is also why loved ones often show just after death or upon death when you are in sleep state. With your brain cycling in a different manner, you can now receive that which you cannot when you are in the analytical functioning mind of a working and living human being in daylight hours.

Smoke Experiment:  The air was turned off, no fans, and I did not move so I would not change the natural air currents. So far as the smoke experiment, I tried taking photos while saging my home - got nothing unusual. I took them during Psychomanteum and got those two interesting ones above that lined up with requests. 

My thoughts on Smoke Experiment:  What do I think of photographing smoke? I think it's a touchy thing because we can see all kinds of shapes in smoke and interpret as we wish, but at the same time, forming and shaping smoke would be a delicate medium to bring a message forth. I am not done experimenting with either. One try does not a conclusion make. I like to stay open-minded and let repeated attempts help me form opinions. Expect more on this in the future!

While I'm on my trip to Virginia this month, I will be making lots of Vlogs for future Fridays and I can't wait to show you some weird places, spooky places, and beautiful and mystical stuff. Gonna photograph and videotape abandoned sites, an abandoned lighthouse, and check out some haunted woods and railroad tracks and more. 



Seances


I have performed many seances over the years and what I can tell you is this; there is no perfect saying or ritual, but there are some basics that should be adhered to -

That being said, the elements of seances are similar, no matter how you word them or pace them.

MEDIUM:  You do not need a trained medium, but you should have someone who is psychically sensitive. I would prefer to not use a empathic psychic, but someone who is more in control of the emotions that might bombard him/her, so I'd choose a psychic who has either precognition abilities, physical abilities like PK or psychometry, or someone who is very good at reading people by any means, whether it's tarot or palm reading, tea leaves, or whatever. 

GROUP: You will want a group. I have found a group should consist of 4 people but no more than 8. That seems to be ideal. Too few bodies and there is not enough energy. Too many bodies and it's intrusive and too much energy.

Whether they are male or female does not seem to show a difference, but I have found over decades of doing this that having men on one side, women on the other is helpful. My guess is that one side of the table will attract a spirit energy because of its very sex and having them united on one side of the table makes that energy and safe harbor more apparent.

Whether or not the group members are believers seems to do nothing to the results of the seance. Some folks like to blame a dud seance on the nonbelievers, but honestly dud seances are as common as dud ghost hunts. It's a rare thing to have a good hit on a seance, believers or not.

BEGIN:  In an ideal situation, I prefer to use rose scented candles or gardenia or lilac, some sort of heirloom flower scent. Some mediums do not use this because they want to be able to tell if a spirit arrives by its scent, but that is rare and I'd rather have the group in the right mindset. The olfactory sense is the most immediate one. Any time you ever were hit with the smell of Coppertone lotion and immediately felt nostalgic, you know how powerful it is. When it comes to being in the right place in one's head to attract spirit interaction, having the group collectively feeling open is more important than worrying about masking scents.  As well, if you have photos or items of the dead, place them on the table.  If you wish to record, put the recording devices on the table and around the room.

Now that you have placed women on one side of the table, men on the other, I suggest that all participants put their hands on the table, palms up. There is no need to touch each other. Each person will be their own beacon. I often during ghost hunts turn my palms upward to let my own energy (aura) outward like a beacon. If you put your hands down on the table, you are stifling the most powerful outlet of energy in your body, your hands. I know that traditionally, mediums have liked to use hand holding as a way to link the energies into a protective circle, but that is not necessarily productive. Like a chain, you are only as strong as your weakest link. Someone in the group invariably is thinking about tomorrow's supper plans or simply believing there is no way anything can happen. If each individual allows their own energy to emanate from their hands upwards, it is like a dozen fire lights flickering in a forest.  As well, the individuals' intent and emotional content, spirituality and latent psychic abilities will produce their own unique signature of outward energy that can attract.

So, palms up, seated comfortably. Candles lit, and I suggest participants look above and beyond the person across from them. This way, all parts of the room are being watched by someone who has over time gotten to know the usual look of that part of the room and can discern changes as well as have a glimpse at anything that might come to that person across the table from them.

CEREMONY:  Ceremonies begin and end always with a protection blessing. This can be done any manner of way, so long as the participants are comfortable with it. Some teams use Christian prayer, but a member who is not Christian may be uncomfortable with this. My advice to that person is that they participate in so much as forming silence and allowing the members to be comfortable with their own protection blessing and if that person wishes to, they can word a protection silently for himself.  The basic wording should include these aspects; we are gathered here in hopes of reaching those in the spirit world, as we seek answers to questions. The members here are of of the living plane. When this ceremony is occurring and when it is over, these physical beings are to be allowed protection from any harm or associations. Our intentions are pure and we expect the intentions of the spirit world to be, as well.

The medium can ask a question and I find that ideally, it's best if after she has asked the question, you wait about 20 seconds before the person to her/his right asks a question with the same wait time, and then the next person, around the table until the medium's turn. Now, that the medium is in charge again, it is time for her to request more information. She is free to reveal any names, images, or other things that come to her as she is "channeling." If there are great pauses and silence in her giving information, it is fine to have the person to her right begin a question again and do this around the table until the medium's turn again. If she has no more information to add, it is time to close the circle.

CLOSING:  Closing should begin with a thank you to the spirits and a dismissal, to the effect of, "we appreciate your visit and your communication. Thank you for your cooperation. We wish to release you back to your spiritual realm and these members to their physical realms, free to continue our experiences as before."


As I talked about in my book "Was That a Ghost?" about the "Trinity of Relevance," The same 3 elements are at play in how people react to seances. Context-if one knows he is entering a seance, there is expectation of the theatrical responses seen on TV. Just because he is in a seance, he might believe everything that happens is spirit-related. Belief-if he has a belief system that includes demons, possession, and an evil spirit world, his explanations of what's happening will be colored by this. Explanatory style-how that participant explains the situation to himself can create either peace or unrest.

WARNINGS:  Followup with the participants is important. Latent psychics can show very strong reactions, even signs of possession, if they don't realize how highly suggestible they are and how open they are to be a conduit. So, if signs of a "possession" do occur and a member suddenly starts being out of touch with what's happening, it is best to break the circle, have the medium come over to the person, place her hands upon the person's back and give a very gentle shove and say "disperse." This is usually enough to bring the person back to baseline. It is hard to tell whether such a thing as possession is possible, but we do know that in the fervor and belief of religious ceremony, people can speak in tongues and dance with snakes, so it is entirely possible that a suggestible person can get caught up in a feeling or an image and run with it until it's out of control. It's very comparable to a person acting as if they are going to die if they get into a airplane. The mind psyches up the body to react with threat.

For those who have strong religious beliefs that make seances an unacceptable form of communication with the dead, that is fine. I will also remind people that any time you do an EVP session and ask the spirits to knock on the wall or answer your questions, or any time you visit a family member's grave and talk to them, you are having a form of seance.


Ouija


The Ouija board has been surrounded with myths, legends, terror, misinformation, as well as good old-fashioned urban legends.  

How does a Ouija work? There are a lot of explanation for the device being a subconscious conduit to the psychic aspect of yourself to a device in which the spirit takes over your fingers on the planchette and you are channeling a being of unknown origins; could be good, could be bad. 

Is is a doorway for the dead? If we look at it logically, a particle board with a plastic planchette mass produced is not what a spirit is waiting for to get into our realm or else we'd all be screwed using Parcheesi. So, is it the process of calling on spirits? Well, we do this all the time on ghost investigations. So, what makes the Ouija different? Is it inviting channeling? Possession? Only vampires need to be invited into the home to actually enter. In the field of spirit realm, if they could bother us this easily, we'd be screwed. It's not so simple as asking them to speak through your fingers. We have yet to see a case of someone carrying a ghost around inside himself after asking one to answer yes or no on the Ouija.

In any case, if you are spooked by the very concept of a Ouija, please do not participate. Real dangers happen when people believe something has a capability to hurt them. People run, they make bad decisions, they think they're cursed, they get depressed, they generally lose it.

How to use a Ouija? It's pretty simple. It's ideal to do have at least 2 people and in a dream scenario, one male/one female so that whatever a spirit might wish to talk to, they are present.

Sit facing each other, knees touching if you can. Lightly place your fingers on the planchette. Make a statement that you are seeking a particular entity or only positive entities who are helpful and kind. 

Start with simple questions that are answered by yes or no. 

When you are done with your session, tell them goodbye and place the planchette over the word "goodbye."


Saturday, October 18, 2014

Best Horror-Themed Street Art Ever!


I think all cities should budget for street art. They need to keep their artist community alive and breathing there and take a city, which can be a stressful environment, and show man's potential to make anything enchanting, hilarious, and even unsettling....




















































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